Contemporary Music Festival 2019
MULTIVERSE: A showcase of new technologies, composition and performance pushing the boundaries of music

Lampedusa visuals by Kaz Rahman
Watch Professor Eduardo Miranda discuss the multiverse theme of this year's edition and describe the exciting programme of the event, including the opera 'Lampedusa'.
The theme of the 2019 festival, MULTIVERSE proposes a weekend of musical interpretations of the quantum world. It will premiere a duet between a pianist and an Artificial Intelligence improviser, and a piece composed with a quantum computer.
The BBC Singers will perform new compositions by ICCMR composers, including 'Lampedusa', a short opera inspired by Shakespeares 'The Tempest' with musical renditions of particle collision data and a libretto in an otherworldly language invented by David J. Peterson. David is the author of the Dothraki language spoken in the TV series 'Game of Thrones'.
鴛遺遺珂檎s mission is to gain a better understanding of human biology and cognition from a musical perspective, and use this understanding to improve peoples lives.
We are developing neuro-technology to control musical systems using brain signals, harnessing living organisms to build novel bio-electronic devices, building interactive intelligent systems for musical creativity and investigating how new types of computers may impact on the future of the music industry.
Join David J. Peterson, one of the worlds most famous language creators, for the launch of the Contemporary Music Festival 2019.
Not only did he invent the Dothraki language for 'Game of Thrones' and the language used in Walt Disney film 'Thor: The Dark World', he has also invented the language Vv for Eduardo Miranda's opera 'Lampedusa', which will be premiered at the Contemporary Music Festival Gala Concert.
Its a really fun and bizarre piece and I think youll like it. What we are seeing is a language which is outside of time. And what you will see in the opera is a human who is able to learn the language and use it. It raises an interesting question of what might have happened if humanity gone in a different direction using this language as its base.
David J. Peterson
Date: Friday 22 February 2019
Time: 19:0020:30
Venue: Jill Craigie Cinema
Free admission, booking required
Watch David J. Peterson, speaking from his home in California, discuss the evolution of Vv and find out more about how he created this new language for Professor Eduardo Miranda and the Contemporary Music Festival.
A game of prose: inventing languages across the multiverse with David J. Peterson
Date: Saturday 23 February
Time: 20:0022.00
Venue: The House
Tickets: 贈12/贈10/Friends Free/SPiA, booking required
The approach has really evolved thanks to the collaboration of wonderful individuals. A fascinating musical approach by Eduardo Miranda. A score delivered in a language created for the opera. A costume maker offering a very, very distinctive approach. Arts design using projections. Josh Slater's very distinctive choreographic flavour. My job was to put all those elements together.Victor Ladron de Guevara, Director of 'Lampedusa'
Take a look at the making of 'Lampedusa', the costumes and the cast that will be involved: Lampedusa: Behind the curtain
Join University of Oxford physicist, Vlatko Vedral, who will introduce the mesmerising world of Quantum Physics before the ICCMR's Research Concert.
Date: Sunday 24 February
Time:&稼恢壊沿;13:0014:00
Venue: The House
Free admission, booking advised
The Research Concert will showcase research, new ideas and technologies developed by our ICCMR composers. Alexis Kirke plans to link the brain of two performers to a quantum computer in a piece called 'Entangled Brain', whilst Nuria Bonet's new composition, Queen Canute', will explore the intriguing world of seabird communication.
Date: Sunday 24 February
Time:&稼恢壊沿;14:3016:00
Venue: The House
Free admission, booking advised
Queen Canute is a piece for seagulls and clarinet. I cannot bring a live seagull into a concert hall, so I recorded many different sounds of seagulls around 50業子 and cut these together in three movements to accompany the clarinet. King Canute tried to control the waves and control nature. So I see myself as Queen Canute because I tried to control the seagulls and it just wasnt happening. Its a way of giving back all the sounds I heard in 50業子 while being a student here.
Nuria Bonet
Watch Nuria, a composer and PhD researcher at the University, discuss her upcoming performance of her research piece at the Contemporary Music Festival 2019.
A"Anyone complaining that classical music is boring clearly needs to take a trip to 50業子." Sinfini Music
."It's all highly experimental, but the work being done does have practical, real-world consequences." The Creators Project, Vice Media
A"The festival teems with compositional creativity." New Statesman
."One of the UKs most innovative festivals of contemporary music." The Sampler
A"Firmly establishing itself as an important platform in the UK for new music." Seen and Heard International
."In every sense, a memorable weekend." The Telegraph