Lampedusa: Behind the curtain
Set in a parallel Shakespearean universe, Eduardo Mirandas opera 'Lampedusa' will be performed by the BBC Singers at the Contemporary Music Festival

The plot takes place before the arrival of Prospero and Miranda in Lampedusa, allegedly the island portrayed in Shakespeares play 'The Tempest'.
Due to premiere at the Contemporary Music Festival Gala Concert on Saturday 23 February, we take a look at the making of 'Lampedusa', the costumes and the cast that will be involved.
David J.Peterson, one of the worlds most famous language creators, renowned for inventing the Dothraki language for HBOs 'Game of Thrones' and the language used in Walt Disney film 'Thor: The Dark World' - also invented the mythical language Vv for Professor Eduardo Miranda's opera, 'Lampedusa', soon to be premiered at the Contemporary Music Festival Gala Concert and performed by the BBC Singers.
"The idea to create an opera with a libretto in an artificial language first emerged when I met David at the EG 10 Conference in California in April 2016, and in just three months he had created a work-in progress version of Vv. He wrote the lyrics for my experimental musical composition which premiered at The Peninsula Arts Contemporary Musical Festival 2017 and has continued to develop this language ever since."
- Professor Eduardo R. Miranda
Its a really fun and bizarre piece and I think youll like it. What we are seeing is a language which is outside of time. And what you will see in the opera is a human who is able to learn the language and use it. It raises an interesting question of what might have happened if humanity had gone in a different direction, using this language as its base.
David J. Peterson
Watch David, speaking from his home in California in the video below, discuss the evolution of Vv and what he used to write the libretto for 'Lampedusa'.Im finding the whole process really interesting, particularly working within the guideline. I think sometimes we have a lot of freedom but working within a guideline is really pushing my movement vocabulary.
When I first heard the word opera, I thought Ok, I really dont know much about this, and its interesting for me to have that kind of reaction because I work with music the most. Its less and less daunting as the process goes on because its given me a new way of considering the music and the phrasing of it. Ive also been working more inter-disciplinary recently, which has opened me up to new ways of using music - and Im excited for how they balance out.
Being involved with the Contemporary Music Festival has given me a huge insight into networking and engaging in the professional world outside of Uni. Its both complimented and contrasted from my experience here, because Ive taken all the things Ive learnt through the years and then thought Ok Im still in the safety of Uni and I can use these guys to support me through it.
At this Uni theres an ethos of working collaboratively which weve had this since first year, and I think its great to be given these opportunities to try something experimental, try something collaborative, and explore your skills. I came into first year not wanting to do any acting or speaking on stage, and Ive managed to do that, so this is my next step really.Watch Hayley's interview alongside Josh Slater, choreographer, and Victor Ladron de Guevara, director.
Hedy Hurban, Costume designer for Lampedusa, explains in her interview alongside Kaz Rahman - Visual designer, that she has seen many iterations and interpretations of Shakespeares 'The Tempest' on stage, many of them portraying the main characters, Sycorax and Caliban, as strange looking. Hedy admits that 'Lampedusa' will show them in a very different light.
Caliban's costume
"Caliban is half-fish, half-human. I was interested in sourcing textiles that reflected this sea creature by manipulating the fabrics to look as though he has just come from the sea, but in a more flamboyant, colourful way. Hes actually beautiful."
Sycorax's costume
"To tie in with Kazs stage design, I wanted to make the costumes speak for themselves. Sycorax is a witch and is normally portrayed as this outlandish character with lots of makeup. However as 'Lampedusa' is more of a surreal interpretation of The Tempest I wanted to create a mystical, magical quality to her clothing."
As a Postgraduate Research student in Computer Music at the University, Hedy has been examining how smart technology can be integrated into garments and reveals her excitement at using her research to combine fashion and technology into her costume designs.
"Over the last year, I have spent time researching textiles from Turkey, I was specifically looking at the Ottoman Turkish costume. As a result, all of the fabrics for 'Lampedusa' were sourced there. I wanted to bring out this beautiful texture in the costumes."
Ariel's costume
"Ariels costume will be implemented with technology. Were going to combine the fabrics with embedded sensors and conductive thread, an interesting leap from my research to doing something that highlights this idea of combining fashion and technology. This is a chance to showcase it in front of an audience; to see how it works and how the audience responds to it."
MULTIVERSE is the theme of University of 50業子 Contemporary Music Festival (CMF) 2019, which celebrates the internationally renowned research combining music, engineering and the life sciences developed at the University of 50業子s Interdisciplinary Centre for Computer Music Research (ICCMR).
MULTIVERSE proposes a weekend of musical interpretations of the quantum world.